Shot types refer to the different ways a camera frames a subject, ranging from extreme wide shots that establish geography to extreme close-ups that capture subtle emotion. Understanding shot types is fundamental to visual storytelling because each framing choice shapes how the audience perceives scale, intimacy, power, and narrative focus. When building storyboards in M Studio, specifying shot types in your prompts ensures AI-generated frames match your directorial intent.
Glossary
Shot types in film.Every frame tells a different story.
Shot types refer to the different ways a camera frames a subject, ranging from extreme wide shots that establish geography to extreme close-ups that capture subtle emotion.
In practice
See it on screen
Samples made in M Studio.

Script → board
Section 01
Shot types as AI prompts in M Studio
| Shot type | Abbreviation | Prompt phrase | Subject fills frame | Best for |
|---|---|---|---|---|
| Extreme Wide Shot | EWS | "extreme wide shot, establishing landscape, tiny subject in frame" | 1-5% | Establishing geography, isolation |
| Wide Shot | WS | "wide shot, full body visible, subject with environmental context" | 15-30% | Action coverage, location establishment |
| Medium Wide Shot | MWS | "medium wide shot, knees up, subject and immediate surroundings" | 30-50% | Two-shots, group scenes |
| Medium Shot | MS | "medium shot, waist up, subject centered with limited background" | 50-70% | Dialogue, default coverage |
| Medium Close-Up | MCU | "medium close-up, chest up, shoulders visible" | 60-75% | Interview-style shots |
| Close-Up | CU | "close-up, head and shoulders, emotion visible in face" | 70-85% | Reaction shots, emotional beats |
| Extreme Close-Up | ECU | "extreme close-up, eyes only, subject fills frame" | 85-100% | Peak intensity, key detail |
| Over-the-Shoulder | OTS | "over the shoulder shot, foreground subject back of head, background subject in focus" | varies | Dialogue coverage |
| Two Shot | 2S | "two shot, both subjects in frame, shoulder to shoulder" | varies | Conversation, relationship dynamics |
| Insert Shot | INS | "insert shot, close-up of object or detail, no subject face" | varies | Showing props, documents, objects |
How it works
From script to screen in six steps
M Studio builds a film shot by shot, and you direct every shot — this is the whole path, start to finish.
- 01
Start a film
Start from a one-line brief, or import a screenplay PDF and build straight from the pages you already wrote.
- 02
Add your script
Scenes, action and dialogue laid out shot by shot — editable line by line before anything renders.
- 03
Add your characters
Add each character once with a reference image so the same face carries across every shot in the film.
- 04
Build the storyboard
Your script breaks into shots on a canvas. Reorder, reframe and re-prompt any shot until the board reads right.
- 05
Make the video clips
Turn approved storyboard pictures into video clips one shot at a time, then layer voiceover, music and sound effects.
- 06
Export the cut
Take the finished cut out as an MP4, MOV or WebM, up to 4K, ready for the edit or the pitch.
There is no length cap in the editor. Because films are made shot by shot, how long a film can run comes down to how many video clips your plan includes — not a limit in the tool.
FAQ
Common questions
The medium shot is generally considered the most frequently used framing in narrative filmmaking because it balances character expression with spatial context. It is the default framing for dialogue scenes and works well across genres.
Wider shots create emotional distance and objectivity, while tighter shots build intimacy and intensity. A close-up of a character crying lands harder than the same performance in a wide shot because the audience is forced to confront the emotion directly.
Yes. Storyboarding is the ideal time to plan shot types because changes are free at this stage. Specifying shots during pre-production ensures the cinematographer, director, and editor are aligned before the shoot begins.
Shot type describes the framing distance between camera and subject (wide, medium, close-up), while camera angle describes the vertical position of the camera relative to the subject (high angle, low angle, eye level). Both work together to shape the visual meaning of a shot.
Related terms
Explore related concepts
Camera angles in film
Camera angles describe the vertical and horizontal position of the camera relative to the subject.
Read definitionFilm composition
Film composition refers to the deliberate arrangement of visual elements within the camera frame, including subject placement, leading lines, depth, balance, color, and negative space.
Read definitionWhat is a storyboard?
A storyboard is a sequence of illustrations or images arranged in order to pre-visualize a motion picture, animation, motion graphic, or interactive media sequence.
Read definitionVisual storytelling
Visual storytelling is the practice of conveying narrative, emotion, and meaning through images, composition, color, movement, and sequencing rather than through dialogue or text alone.
Read definitionM Studio features
Put this into practice

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